CHAPTER ONE: SUNTORY HALL
SUMMARY:
Ranma Saotome finally chooses, but who and why are just the beginning of this story. With "happily ever after" quickly turning out to be a disappointing fantasy, Ranma and the one girl he actually comes to love must now deal with the consequences of their indiscretions and find constructive ways to move forward on their divergent Fated paths. AU-Continuity/Divergence
DISCLAIMER:
I do not own Ranma 1/2 or any of the related characters. The Ranma 1/2 series was created by Rumiko Takahashi and is owned by Shogakukan and Viz Video. This fanfiction is intended for entertainment only. I am not making any profit from this story. All rights to the original Ranma 1/2 story belong to Rumiko Takahashi.
AUTHOR’S NOTE:
My inspiration for "Sors Immanis" came while listening to Carl Orff's "O Fortuna" from the Carmina Burana cantata on a morning run. This story will be an experiment with some new ideas and writing techniques. To clarify upfront, this story is unrelated to "The Stage at Kiyomizu-Dera" or any of my other Ranma ½ stories.
Feedback and comments are always appreciated.
Thank you for reading.
– KL
SORS IMMANIS
Sors immanis et inanis,
Rota tu volubilis, status malus
Vana salus,
Semper dissolubilis
Obumbrata et velata,
Michi quoque niteris…!
(Fate, cruel and inane
You are a malevolent spinning wheel,
Vain hopes for my wellbeing,
Inevitably fading into nothingness
Veiled and in shadows,
You torment me…!)
– Excerpt from “O Fortuna” of the Carmina Burana
Anonymous 13th Century Bavarian Monks
CHAPTER ONE: SUNTORY HALL
Present day….
"Akiko" was not her real name.
She merely called herself that when she went places to forget who and what she had become. Her dead mother, the real Akiko Tendou née Taniguchi, had been a kind and happy person – a marked contrast to her unhappily successful daughter.
This particular early April evening especially was one of those times when the daughter wanted to forget – even for just a while. She had come directly to Akasaka from her Shibuya office without time in between to change out of her work clothes. As such, she emerged from a cab in front of Suntory Hall wearing black patent leather heels, a black knee-length pencil skirt with a matching jacket, and a silk ivory blouse. Her hair remained pinned up in a prim and tidy bun.
The fresh, delicate scent of cherry blossoms filled the air. However, she was too annoyed to notice. By the time she arrived, the Friday performance by Hauser and Sulic had already started. The man she was meeting would find a way to rub it in. She never arrived late for anything.
On top of that, the boy usher's attempts to conspicuously eye her legs as she followed him to her usual seat were a sad caricature of subtlety. She would have been amused when she had been younger, but nowadays she could not be bothered to give a damn.
She used to have a cheeky, mischievous sense of humor and an uncanny ability to find something to laugh about in most any situation. She had regarded these trademarks of her personality as a source of pride. Nowadays, however, she rarely laughed about anything.
She changed after her sister's wedding. The accident shortly after her return from America — the one that left her sister an invalid in a comatose state — made things even worse. Only her gradually crumbling sanity, viperous wit, and bitter, smoldering temper remained.
No one knew of course.
People meeting her for the first time only saw an unusually beautiful woman whose deceptively disarming appearance and enigmatic charisma gave an initial illusion of innocence. Those who survived that mistake found her frigidly calculating, uncompromisingly driven, ruthless in the pursuit of her agendas, and insatiably ambitious. Either way, her delicate features naturally concealed the full breadth of her genius-level intellect, true beliefs, and many personal crusades.
She had a petite frame with a lithe, slim-waisted figure. Her long legs were pleasingly shaped, tapering off into a pair of dainty feet. Her pretty face, delicately heart-shaped with full, soft cheeks and the flawless complexion of a porcelain doll, was set with bold, luminous eyes and framed by thick hair with a rich, silken shine.
She embraced her assets — weaponized them even — with cool Machiavellian practicality. Surviving to come out on top was all that mattered. That was all she could hold onto to continue justifying her existence in the cold, unforgiving and uncaring world in which she existed. She knew of no other way to keep at bay the specter of madness constantly lurking at the fraying edges of her heart and mind.
Yet, despite her disillusionment, or maybe even because of it, she remained a fundamentally sentimental person. Before Akiko Tendou died, she had made a point of teaching her daughters to see and hear things. Though this daughter had still been very young at the time, she never forgot, clinging ferociously to her private passions for things like music and art.
Her habit of masking what she heard and saw, always holding these secrets extremely close to the vest, came later. She was the one who taught herself to be that way. Accordingly, most people never would have suspected a woman like her of caring for anything like Classical crossover.
In her law school days at Todai, she took a part-time job as an usher at the University performance center. The University had a partnership with the nearby Tokyo University of the Arts. Performance majors used to play concerts on campus most Friday evenings in the Fall and Spring.
The shows put on by the most cutthroat, self-centered assholes and bitches among them always appealed to her with profound personal meaning. These kids were the ones chasing the long shadows of Hauser and Sulic, Yuja Wang, Lang Lang, Yo-Yo Ma, Bocelli, and the like. That kind of music compelled even the most ruthlessly ambitious people to reveal some raw shred of naked human passion. No one could deliver at that kind of level without doing so.
Of course, her intent when she signed up for that job at the performing arts center had been something very different from falling in love. In plain terms, she simply wanted a venue where she could make conspicuous moves on some prominent and connected people to promote her agendas and advance her causes.
Yet, she did fall in love despite her private, solemn vow to never do anything that stupid again. It simply happened somewhere between the passionate facial expressions; fiery body motions; fingers flying wildly across ivory keys and stringed fingerboards; and unapologetic vibratos wringing out every last ounce of resonance from each note. The performance hall became a sanctuary where she could hide, at least for a while, from reality. Standing in the wings, she could almost glimpse some genuine human potential to touch some truth approximating actual beauty.
Sometimes, she could even almost forget the damned boy who had seen through to her humanity and broken all of her beautiful, painstakingly crafted mirrors. He had forever shattered her illusions about how the world was supposed to work. Like all boys though, he was infuriatingly clueless about the depths of grief he had brought into her life.
She had her own sins too, of course. There were too many of those to count. Still, in sending him to her sister's arms, she had merely been operating with her usual Machiavellian pragmatism to choose the least bad option available out of only bad ones. She had seen no other way to remain true to her values: the burdensome depths of her love, filial piety, and fraternal loyalty.
Therein emerged that nastiness of her existential dilemma. The inconvenience of her conscience continued to torment her.
Fate was a fucking bitch.
"Happy Birthday," the man sitting in Row 2, Seat 9 of Block RB said, drawing Akiko back to Suntory Hall and the present.
She could not think of any reasons to be "happy" about her birthday. This one was her 30th. It was also the anniversary of her sister's accident.
"I…. Thanks. For coming," she replied as she slipped into Seat 10, the only other seat in Row 2. She had bought out the seats for the whole season because the space was as private as one could hope for in all of Suntory Hall.
As Hauser, Sulic, and their cellos resumed going at it on the stage below, she trembled in the darkness as the old chord of anguished, primordial yearning began throbbing again within her chest. Memories of the man's essence washed over her in a torrential deluge. The forbidden thrill of his fingers once so freely intertwining with her own. The reassuring warmth of his hands wandering across the nape of her neck just under the edges of her hair. The firm strength of his muscular arms reaching behind to wrap around the achingly aroused endowments of her bare chest. The metallic taste of blood emerged in her mouth as she bit back desperately on the misery threatening to explode out of her.
She knew that inviting him was unwise — even wrong. In fact, she never invited guests to join her for concerts. Today of all days, however, she did not want to be alone. She knew the man probably felt the same as she did. More than that, she wanted to see him one last time — to help steel herself for what she knew only she could and had to do. Now, however, as she felt the pain of her heart breaking all over again inside her, she realized that maybe she had made a mistake.
The savage, unconcerned storm cast by the dueling cellists continued to rage mercilessly around them. She closed her eyes and pretended to listen. Once again, they were so close and yet so very, very far from one another.
Like her, this man had changed, even though no one else could see the differences as she did. He also had reasons now to want to disappear at times. Most of them, she knew, were because of her. On such occasions, he went by "Hibiki", his professional pen name.
He was a young manga illustrator and writer who had made a considerable name for himself. He had developed a uniquely comedic style imbued with a sardonic wit that blended the fantastic with the grit of reality in a believable manner. Somehow, he executed all of this while remaining unpretentious in his ambitions. This approach stood in notable contrast to the brash recklessness that had been so off-putting about him when they had first met many years ago.
His books were good. She knew because she had read them all. Though he now far surpassed her, she also happened to be the one who had first introduced him to sketching. He had an annoying habit of excelling effortlessly at most things whenever he cared to apply himself.
His best known series described a teenage martial arts genius who had trained in his family's form of the Art his whole life. He also happened to be cursed to turn into a girl whenever exposed to cold water, and to complicate matters further, he was helplessly honor-bound to choose a fiancee from among three sisters from an old, traditional family. The father was best friends with his own father.
She firmly believed that the secret to why these books made such an impression on people was because many of the stories were not fictional at all. The man really did train in his family's ancient form of the Art from a young age. His childhood on the road really did result in significant social deficiencies, leading most people to write off his considerable native intelligence. His father and Akiko's did agree to a union of their families before either of them were even born.
She and her two sisters did come from an ancient family of previous high-ranking samurai prior to the Restoration. Consequently, they still had land and even a dojo in the middle of Tokyo's affluent Nerima ward; their father sat on the local municipal council despite not having a regular job or other typical qualifications for the position; and antiquated, inadvertently misogynistic notions of honor and duty unconsciously pervaded the Tendou's dysfunctional family life.
As to whether a boy could change into a girl at the touch of cold water, well, the woman wryly thought of how going to the moon had been considered a fantasy for most of human history.
Afterward, they went down the street to a Viennese styled cafe. She had always liked the place. The place had a calm, subdued atmosphere ideal for private conversations. The tables were generously spaced apart with vases and potted plants strategically placed between.
She chuckled when she saw the bottle that the man asked the server to bring over. Blood-red letters on a black background spelled out some words in Latin: Sors Immanis.
Fate is cruel. Malevolently so.
“That quote from the Carmina Burana.” She could not hold back her knowing smirk. The partciular passage from which these words came from meant something to both of them. “Nice.”
“O Fortuna, the First Movement. Carl Orff, 1936.”
She recognized the familiar game. He wanted to show off again. The match point, however, belonged to her — as usual.
“You forgot. It’s actually Schmeller’s 1847 compilation of 254 poems and texts by 13th century Bavarian monks (1). Orff created his cantata by orchestrating just a small subset of them.” She had read parts of the actual text for a class once back in her undergraduate days. She spent those too at Todai.
He laughed. “Ya ain’t ever gonna change.”
"Neither will you." She omitted the part about hoping that he never would.
"It is though, ain't it. Fate, I mean."
"Sure. No choice but to make the best we can of it regardless."
"Belgian ale," he said as he offered her one of the two tulip glasses that the server had poured. "You'll like it. Extra hoppy and bitter."
She preferred beer over wine and the hoppier the better. Like many other things, most people would not have guessed that about her. Wine had too much of a pretense of class and elegance. Beer made no effort at such stupid lies. Alcohol simply tasted like shit in the beginning to everyone and somehow eventually found its path to amiability for most. At least the labels occasionally made decent attempts at some humor.
The man laughed. He was very familiar with her tastes, and, of course, he preferred beer too. He enjoyed hearing her talk anyway. As usual, they sounded better than his own. He had learnt this about her the hard way on more than one occasion.
She answered him with a crooked shadow of a smile before downing the golden amber contents of her tulip glass in a single go. A long silence settled in as she savored the bitterness.
"Akiko-san…?" he eventually prodded.
"It's all right, Ranma," she said with a sigh. "It's just us. No need to keep up the charade on my account."
"I, just, ya know…."
"I know. You're just doing what I asked," she acknowledged, touched by his gesture. He still remained kind and considerate despite everything that had passed between them.
"How are the children?" he asked.
"We make do," she replied coolly.
He meant well, but the subject of her pro bono work on the side for the ISSJ (1) remained a sore spot for her. She had taken up this particular crusade because she had always secretly loved children, but likely would never have any of her own. She needed to change the subject. "I read your new book by the way. I liked it a lot."
He had written a unique story about time travel. One of the sisters chooses to go back to the past using a magic mirror. However, a special rule governs its use: actions while visiting the past regardless will not change anything in the present. This clever twist posed far more direct and interesting philosophical questions than the usual dizzying preoccupations with permutations of cause and effect relationships.
"Thought ya would like it. Would ya?"
"Go back even with a rule like that?"
"Yeah."
"You know my answer."
She wanted to cry. He could only have been thinking of her and the forbidden words and memories between them when he wrote that story. His feelings for her remained unmistakable.
"Why?"
"You know that too," she said. She decided to humor him anyway and say her reasons aloud, mostly to remind herself. "Some things are still worth saying and believing, even if the world can't be changed for those things."
Or even if no one believes your good intentions….
He smiled. "But ain't that exactly why someone should ask this question?"
"We're long past that point now, Ranma," she sighed, attempting to fall back on the secure footing of her Machiavellian pragmatism and the immutable, undeniable truth. "You're married now."
Sometimes, the truest measure of devotion is the strength to turn away from the thing you want the most….
She remembered that line from a play she had seen back in her undergraduate days. It meant that love is not necessarily about whether or not you are with someone, but about being able to hold their interests alongside or even before your own.
Little sinister Heathen me, she thought with bittersweet irony to herself. I really don’t matter. Not anymore.
The time had come for the sad, long-running comedy of 10 years or so between them to end.
CHAPTER NOTES:
Ranma Saotome finally chooses, but who and why are just the beginning of this story. With "happily ever after" quickly turning out to be a disappointing fantasy, Ranma and the one girl he actually comes to love must now deal with the consequences of their indiscretions and find constructive ways to move forward on their divergent Fated paths. AU-Continuity/Divergence
DISCLAIMER:
I do not own Ranma 1/2 or any of the related characters. The Ranma 1/2 series was created by Rumiko Takahashi and is owned by Shogakukan and Viz Video. This fanfiction is intended for entertainment only. I am not making any profit from this story. All rights to the original Ranma 1/2 story belong to Rumiko Takahashi.
AUTHOR’S NOTE:
My inspiration for "Sors Immanis" came while listening to Carl Orff's "O Fortuna" from the Carmina Burana cantata on a morning run. This story will be an experiment with some new ideas and writing techniques. To clarify upfront, this story is unrelated to "The Stage at Kiyomizu-Dera" or any of my other Ranma ½ stories.
Feedback and comments are always appreciated.
Thank you for reading.
– KL
SORS IMMANIS
Sors immanis et inanis,
Rota tu volubilis, status malus
Vana salus,
Semper dissolubilis
Obumbrata et velata,
Michi quoque niteris…!
(Fate, cruel and inane
You are a malevolent spinning wheel,
Vain hopes for my wellbeing,
Inevitably fading into nothingness
Veiled and in shadows,
You torment me…!)
– Excerpt from “O Fortuna” of the Carmina Burana
Anonymous 13th Century Bavarian Monks
CHAPTER ONE: SUNTORY HALL
Present day….
"Akiko" was not her real name.
She merely called herself that when she went places to forget who and what she had become. Her dead mother, the real Akiko Tendou née Taniguchi, had been a kind and happy person – a marked contrast to her unhappily successful daughter.
This particular early April evening especially was one of those times when the daughter wanted to forget – even for just a while. She had come directly to Akasaka from her Shibuya office without time in between to change out of her work clothes. As such, she emerged from a cab in front of Suntory Hall wearing black patent leather heels, a black knee-length pencil skirt with a matching jacket, and a silk ivory blouse. Her hair remained pinned up in a prim and tidy bun.
The fresh, delicate scent of cherry blossoms filled the air. However, she was too annoyed to notice. By the time she arrived, the Friday performance by Hauser and Sulic had already started. The man she was meeting would find a way to rub it in. She never arrived late for anything.
On top of that, the boy usher's attempts to conspicuously eye her legs as she followed him to her usual seat were a sad caricature of subtlety. She would have been amused when she had been younger, but nowadays she could not be bothered to give a damn.
# # # # #
She used to have a cheeky, mischievous sense of humor and an uncanny ability to find something to laugh about in most any situation. She had regarded these trademarks of her personality as a source of pride. Nowadays, however, she rarely laughed about anything.
She changed after her sister's wedding. The accident shortly after her return from America — the one that left her sister an invalid in a comatose state — made things even worse. Only her gradually crumbling sanity, viperous wit, and bitter, smoldering temper remained.
No one knew of course.
People meeting her for the first time only saw an unusually beautiful woman whose deceptively disarming appearance and enigmatic charisma gave an initial illusion of innocence. Those who survived that mistake found her frigidly calculating, uncompromisingly driven, ruthless in the pursuit of her agendas, and insatiably ambitious. Either way, her delicate features naturally concealed the full breadth of her genius-level intellect, true beliefs, and many personal crusades.
She had a petite frame with a lithe, slim-waisted figure. Her long legs were pleasingly shaped, tapering off into a pair of dainty feet. Her pretty face, delicately heart-shaped with full, soft cheeks and the flawless complexion of a porcelain doll, was set with bold, luminous eyes and framed by thick hair with a rich, silken shine.
She embraced her assets — weaponized them even — with cool Machiavellian practicality. Surviving to come out on top was all that mattered. That was all she could hold onto to continue justifying her existence in the cold, unforgiving and uncaring world in which she existed. She knew of no other way to keep at bay the specter of madness constantly lurking at the fraying edges of her heart and mind.
Yet, despite her disillusionment, or maybe even because of it, she remained a fundamentally sentimental person. Before Akiko Tendou died, she had made a point of teaching her daughters to see and hear things. Though this daughter had still been very young at the time, she never forgot, clinging ferociously to her private passions for things like music and art.
Her habit of masking what she heard and saw, always holding these secrets extremely close to the vest, came later. She was the one who taught herself to be that way. Accordingly, most people never would have suspected a woman like her of caring for anything like Classical crossover.
In her law school days at Todai, she took a part-time job as an usher at the University performance center. The University had a partnership with the nearby Tokyo University of the Arts. Performance majors used to play concerts on campus most Friday evenings in the Fall and Spring.
The shows put on by the most cutthroat, self-centered assholes and bitches among them always appealed to her with profound personal meaning. These kids were the ones chasing the long shadows of Hauser and Sulic, Yuja Wang, Lang Lang, Yo-Yo Ma, Bocelli, and the like. That kind of music compelled even the most ruthlessly ambitious people to reveal some raw shred of naked human passion. No one could deliver at that kind of level without doing so.
Of course, her intent when she signed up for that job at the performing arts center had been something very different from falling in love. In plain terms, she simply wanted a venue where she could make conspicuous moves on some prominent and connected people to promote her agendas and advance her causes.
Yet, she did fall in love despite her private, solemn vow to never do anything that stupid again. It simply happened somewhere between the passionate facial expressions; fiery body motions; fingers flying wildly across ivory keys and stringed fingerboards; and unapologetic vibratos wringing out every last ounce of resonance from each note. The performance hall became a sanctuary where she could hide, at least for a while, from reality. Standing in the wings, she could almost glimpse some genuine human potential to touch some truth approximating actual beauty.
Sometimes, she could even almost forget the damned boy who had seen through to her humanity and broken all of her beautiful, painstakingly crafted mirrors. He had forever shattered her illusions about how the world was supposed to work. Like all boys though, he was infuriatingly clueless about the depths of grief he had brought into her life.
She had her own sins too, of course. There were too many of those to count. Still, in sending him to her sister's arms, she had merely been operating with her usual Machiavellian pragmatism to choose the least bad option available out of only bad ones. She had seen no other way to remain true to her values: the burdensome depths of her love, filial piety, and fraternal loyalty.
Therein emerged that nastiness of her existential dilemma. The inconvenience of her conscience continued to torment her.
Fate was a fucking bitch.
# # # # #
"Happy Birthday," the man sitting in Row 2, Seat 9 of Block RB said, drawing Akiko back to Suntory Hall and the present.
She could not think of any reasons to be "happy" about her birthday. This one was her 30th. It was also the anniversary of her sister's accident.
"I…. Thanks. For coming," she replied as she slipped into Seat 10, the only other seat in Row 2. She had bought out the seats for the whole season because the space was as private as one could hope for in all of Suntory Hall.
As Hauser, Sulic, and their cellos resumed going at it on the stage below, she trembled in the darkness as the old chord of anguished, primordial yearning began throbbing again within her chest. Memories of the man's essence washed over her in a torrential deluge. The forbidden thrill of his fingers once so freely intertwining with her own. The reassuring warmth of his hands wandering across the nape of her neck just under the edges of her hair. The firm strength of his muscular arms reaching behind to wrap around the achingly aroused endowments of her bare chest. The metallic taste of blood emerged in her mouth as she bit back desperately on the misery threatening to explode out of her.
She knew that inviting him was unwise — even wrong. In fact, she never invited guests to join her for concerts. Today of all days, however, she did not want to be alone. She knew the man probably felt the same as she did. More than that, she wanted to see him one last time — to help steel herself for what she knew only she could and had to do. Now, however, as she felt the pain of her heart breaking all over again inside her, she realized that maybe she had made a mistake.
The savage, unconcerned storm cast by the dueling cellists continued to rage mercilessly around them. She closed her eyes and pretended to listen. Once again, they were so close and yet so very, very far from one another.
Like her, this man had changed, even though no one else could see the differences as she did. He also had reasons now to want to disappear at times. Most of them, she knew, were because of her. On such occasions, he went by "Hibiki", his professional pen name.
He was a young manga illustrator and writer who had made a considerable name for himself. He had developed a uniquely comedic style imbued with a sardonic wit that blended the fantastic with the grit of reality in a believable manner. Somehow, he executed all of this while remaining unpretentious in his ambitions. This approach stood in notable contrast to the brash recklessness that had been so off-putting about him when they had first met many years ago.
His books were good. She knew because she had read them all. Though he now far surpassed her, she also happened to be the one who had first introduced him to sketching. He had an annoying habit of excelling effortlessly at most things whenever he cared to apply himself.
His best known series described a teenage martial arts genius who had trained in his family's form of the Art his whole life. He also happened to be cursed to turn into a girl whenever exposed to cold water, and to complicate matters further, he was helplessly honor-bound to choose a fiancee from among three sisters from an old, traditional family. The father was best friends with his own father.
She firmly believed that the secret to why these books made such an impression on people was because many of the stories were not fictional at all. The man really did train in his family's ancient form of the Art from a young age. His childhood on the road really did result in significant social deficiencies, leading most people to write off his considerable native intelligence. His father and Akiko's did agree to a union of their families before either of them were even born.
She and her two sisters did come from an ancient family of previous high-ranking samurai prior to the Restoration. Consequently, they still had land and even a dojo in the middle of Tokyo's affluent Nerima ward; their father sat on the local municipal council despite not having a regular job or other typical qualifications for the position; and antiquated, inadvertently misogynistic notions of honor and duty unconsciously pervaded the Tendou's dysfunctional family life.
As to whether a boy could change into a girl at the touch of cold water, well, the woman wryly thought of how going to the moon had been considered a fantasy for most of human history.
# # # # #
Afterward, they went down the street to a Viennese styled cafe. She had always liked the place. The place had a calm, subdued atmosphere ideal for private conversations. The tables were generously spaced apart with vases and potted plants strategically placed between.
She chuckled when she saw the bottle that the man asked the server to bring over. Blood-red letters on a black background spelled out some words in Latin: Sors Immanis.
Fate is cruel. Malevolently so.
“That quote from the Carmina Burana.” She could not hold back her knowing smirk. The partciular passage from which these words came from meant something to both of them. “Nice.”
“O Fortuna, the First Movement. Carl Orff, 1936.”
She recognized the familiar game. He wanted to show off again. The match point, however, belonged to her — as usual.
“You forgot. It’s actually Schmeller’s 1847 compilation of 254 poems and texts by 13th century Bavarian monks (1). Orff created his cantata by orchestrating just a small subset of them.” She had read parts of the actual text for a class once back in her undergraduate days. She spent those too at Todai.
He laughed. “Ya ain’t ever gonna change.”
"Neither will you." She omitted the part about hoping that he never would.
"It is though, ain't it. Fate, I mean."
"Sure. No choice but to make the best we can of it regardless."
"Belgian ale," he said as he offered her one of the two tulip glasses that the server had poured. "You'll like it. Extra hoppy and bitter."
She preferred beer over wine and the hoppier the better. Like many other things, most people would not have guessed that about her. Wine had too much of a pretense of class and elegance. Beer made no effort at such stupid lies. Alcohol simply tasted like shit in the beginning to everyone and somehow eventually found its path to amiability for most. At least the labels occasionally made decent attempts at some humor.
The man laughed. He was very familiar with her tastes, and, of course, he preferred beer too. He enjoyed hearing her talk anyway. As usual, they sounded better than his own. He had learnt this about her the hard way on more than one occasion.
She answered him with a crooked shadow of a smile before downing the golden amber contents of her tulip glass in a single go. A long silence settled in as she savored the bitterness.
"Akiko-san…?" he eventually prodded.
"It's all right, Ranma," she said with a sigh. "It's just us. No need to keep up the charade on my account."
"I, just, ya know…."
"I know. You're just doing what I asked," she acknowledged, touched by his gesture. He still remained kind and considerate despite everything that had passed between them.
"How are the children?" he asked.
"We make do," she replied coolly.
He meant well, but the subject of her pro bono work on the side for the ISSJ (1) remained a sore spot for her. She had taken up this particular crusade because she had always secretly loved children, but likely would never have any of her own. She needed to change the subject. "I read your new book by the way. I liked it a lot."
He had written a unique story about time travel. One of the sisters chooses to go back to the past using a magic mirror. However, a special rule governs its use: actions while visiting the past regardless will not change anything in the present. This clever twist posed far more direct and interesting philosophical questions than the usual dizzying preoccupations with permutations of cause and effect relationships.
"Thought ya would like it. Would ya?"
"Go back even with a rule like that?"
"Yeah."
"You know my answer."
She wanted to cry. He could only have been thinking of her and the forbidden words and memories between them when he wrote that story. His feelings for her remained unmistakable.
"Why?"
"You know that too," she said. She decided to humor him anyway and say her reasons aloud, mostly to remind herself. "Some things are still worth saying and believing, even if the world can't be changed for those things."
Or even if no one believes your good intentions….
He smiled. "But ain't that exactly why someone should ask this question?"
"We're long past that point now, Ranma," she sighed, attempting to fall back on the secure footing of her Machiavellian pragmatism and the immutable, undeniable truth. "You're married now."
Sometimes, the truest measure of devotion is the strength to turn away from the thing you want the most….
She remembered that line from a play she had seen back in her undergraduate days. It meant that love is not necessarily about whether or not you are with someone, but about being able to hold their interests alongside or even before your own.
Little sinister Heathen me, she thought with bittersweet irony to herself. I really don’t matter. Not anymore.
The time had come for the sad, long-running comedy of 10 years or so between them to end.
# # # # #
CHAPTER NOTES:
- This detail becomes relevant in later chapters.
- International Social Service Japan (ISSJ) is the Japanese national branch of International Social Service (ISS), an international social work non-profit organization that helps individuals, children and families confronted with complex social welfare issues because of migration and crossing country borders. ISSJ was authorized in 1959 as a social welfare service corporation by the Japanese Ministry of Health and Welfare. ISSJ provides international social welfare services (adoption, obtainment of nationality for stateless children, counselling for asylum seekers, family reunion after international divorce, etc.) in cooperation with ministries, international social service organizations, UNHCR, tribunals, hospitals, social welfare facilities, embassies, and governmental agencies.
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