Daneel Rush said:
Reality Script: èarrum Üa gimr³tim tÙm´ ikÜudu û Transcendence of the Root of Legends
Power: N/A
Type: Support
Range: 12 km
Maximum Number of Targets: N/A
ôGilgameshÆs Reality Script. His answer to Seder Hishtalshelus, you could say. Of course, itÆs nowhere near close to Seder Hishtalshelus in scope, and itÆs mostly useful as a combat technique. In fact, it makes the bulk of GilgameshÆ combat power. ItÆs strongùbrute strength at its finest. Overwhelming power capable of outlasting any opponentàI guess thatÆs the idea. And it works, most of the time, as much as it pains me to admit it. I cannot beat this technique by myself. Onii-chan had to dispel the Reality Script before it defeated him. I heard Metatron defeated him in the same way some centuries ago. I think SophiaÆs the only one who has actually outlasted it, even if she could have dispelled it. Maybe it was her way to teach him a lesson?ö
Gilgamesh. The King of Heroes. The Original Epic Hero. His tale precedes all tales of warring and heroics and thus all heroes after him are but pale reflections of his greatness. The awe they inspire, the legends attributed to them, they are all but mere shadows of his encompassing magnitude and the weight of his legend. Protecting the weak, slaying beasts, challenging gods, wielding artifacts of poweràhe did it all before anyone else. He encompasses all heroics, all legends and all great battles, and thus they all belong to him.
Gilgamesh can create any object, mundane or supernatural, as long as it was made and/or has at some point in history been used either for combat or for a heroic purpose. From a sturdy tree branch or a muleÆs jaw to an aircraft carrier or a nuclear submarine, they are all within the scope of this Technique. He can also create any Instrumental Weapon made after his original lifetime, as long as it fulfills the same prerequisites. For example, Gilgamesh could create Durandal, a legendary blade, but he would not be able to create the PhilosopherÆs Stoneùas legendary as it may be, it is not directly associated with any heroics or warfare.
While already immensely powerful, so far the effect stated above is still not something beyond the scope of a ôReality Scriptö. It is the second effect of this Program which makes it deserving of the title. GilgameshÆs supreme Technique temporarily modifies the very definition of ôInstrumental Weaponö by the sheer might of his legendary status. In other words, ôif it belongs to Gilgamesh, it must naturally be legendaryö.
Any and all mundane objects created by Gilgamesh with this Techniqueùthe tree branch, the mule jaw, the aircraft carrier, the nuclear submarineùgain Instrumental Weapon status. This often only involves a boost in their power output, enough to become of use against Supernals. However, objects which carry the potential of becoming Instrumental Weapons on their own at some point in the future may gain additional special properties. More often than not Gilgamesh personally encodes special features into the items he creates according to the situationùanti-demon missiles against the denizens of Hell, for example.
Note: the name of the Script is ancient Akkadian for ôThe King Who Conquered All Designsö.
Power: N/A
Type: Support
Range: 12 km
Maximum Number of Targets: N/A
ôGilgameshÆs Reality Script. His answer to Seder Hishtalshelus, you could say. Of course, itÆs nowhere near close to Seder Hishtalshelus in scope, and itÆs mostly useful as a combat technique. In fact, it makes the bulk of GilgameshÆ combat power. ItÆs strongùbrute strength at its finest. Overwhelming power capable of outlasting any opponentàI guess thatÆs the idea. And it works, most of the time, as much as it pains me to admit it. I cannot beat this technique by myself. Onii-chan had to dispel the Reality Script before it defeated him. I heard Metatron defeated him in the same way some centuries ago. I think SophiaÆs the only one who has actually outlasted it, even if she could have dispelled it. Maybe it was her way to teach him a lesson?ö
Gilgamesh. The King of Heroes. The Original Epic Hero. His tale precedes all tales of warring and heroics and thus all heroes after him are but pale reflections of his greatness. The awe they inspire, the legends attributed to them, they are all but mere shadows of his encompassing magnitude and the weight of his legend. Protecting the weak, slaying beasts, challenging gods, wielding artifacts of poweràhe did it all before anyone else. He encompasses all heroics, all legends and all great battles, and thus they all belong to him.
Gilgamesh can create any object, mundane or supernatural, as long as it was made and/or has at some point in history been used either for combat or for a heroic purpose. From a sturdy tree branch or a muleÆs jaw to an aircraft carrier or a nuclear submarine, they are all within the scope of this Technique. He can also create any Instrumental Weapon made after his original lifetime, as long as it fulfills the same prerequisites. For example, Gilgamesh could create Durandal, a legendary blade, but he would not be able to create the PhilosopherÆs Stoneùas legendary as it may be, it is not directly associated with any heroics or warfare.
While already immensely powerful, so far the effect stated above is still not something beyond the scope of a ôReality Scriptö. It is the second effect of this Program which makes it deserving of the title. GilgameshÆs supreme Technique temporarily modifies the very definition of ôInstrumental Weaponö by the sheer might of his legendary status. In other words, ôif it belongs to Gilgamesh, it must naturally be legendaryö.
Any and all mundane objects created by Gilgamesh with this Techniqueùthe tree branch, the mule jaw, the aircraft carrier, the nuclear submarineùgain Instrumental Weapon status. This often only involves a boost in their power output, enough to become of use against Supernals. However, objects which carry the potential of becoming Instrumental Weapons on their own at some point in the future may gain additional special properties. More often than not Gilgamesh personally encodes special features into the items he creates according to the situationùanti-demon missiles against the denizens of Hell, for example.
Note: the name of the Script is ancient Akkadian for ôThe King Who Conquered All Designsö.
I have a few questions, though.
How far does it's ability to recreate IW's go? Could he create Ea (he took over after Enlil died, right? And since he didn't get turned into a weapon until after he stopped getting Worshipped...)? Merodach (he's Ea's son, I think, so he probably came after him)? I doubt he can create either (because then he'd be quickly hurrled into 'OMG, I'm unstoppable' territory), but I want to know the limits of this Script.
What weapons predate Gil (like, did Eden's Blade exist when Adam and Eve got kicked out or was it human belief that later created it)? Can IW's be created in the Higher Realms or are they strictly Lower Realm?
Can you define 'object' for the sake of this Script? A tree branch and a jaw bon were used, so obviously things that had once been alive can be recreated, but can things that are still alive be? I doubt it, but...
Can you define 'heroic purpose?' Like...the Yata no Kagami and the Yasakani no Magatama drew Amaterasu out of her cave. The Book of Thoth? Do they count?
Can he recreate IW's that were (apparently) originally created by Dual Forces? Like the Ark of Certain Victory? Ex Nihilo?
How much energy does this take to use? How hard is it to maintain. How long can Gil maintain it? Does it have an aria like other Scripts?
How powerful do mundane objects that are turned into IW's become? Is there a set increase or do more powerful objects become more powerful weapons?
Why did Metatron fight Gil? Why did Sophia?
Do the IW's he can create have to have been used as weapons (or for heroic purposes) in their original 'life time'?
Does he have to know about the weapons to create them? If so, to what detail? Does he need to know how to build a nuclear sub or study airplanes?
To what degree can he modify mundane objects? You gave 'anti-demon' as an example, but can he make them anti-(someone specific)?
You said it can be dispelled; how hard is that to do? Can it be done to other Reality Scripts?
When did he create this Technique?