Genericrandom said:
@praeceps11: I didn't know that there were people that thought that. Still, hidden swords and the like are fairly common so that's not a point that should need to be belabored, but it wouldn't have been a point with just a bit more detail(*hinthint*).
I misread the original sentence, since it was clear enough for me to figure out what he meant. That sentence is awkward now that I read it properly, and could eaisly be fixed with more detail. (As an aside, I do professional [freelance] typing and something like that I tend to read over, recognize what was meant rather than said, and type things coherently so the inspecificness didn't even register. My bad.)
As far as I can recall, we've seen Yoruichi transform all of once. At/in a hotspring. It wouldn't surprise me to discover she could control her clothing showing up or not, regardless, that's a minor point to argue...that wouldn't even need thought if there'd been just a little bit more detail (I'm being an ass on purpose now, please note the difference).
@mindpron: Points, all. However, personally, I generally prefer a writer actually gets somewhere rather than telling us everything that's going on in painstaking detail. I like detail, but I'd rather know what happens next more often than not. Also, a lot of people are really bad at writing details because they fail to maintain tenses, action, flow etc. I totally understand where you're coming from, but I only agree about two-thirds of the time, I think. I've not given the matter a lot of thought, so maybe I agree more. Or possibly less. :huh.:
@zeebee1: In a conflict between two parties of equal power, the deciding factors are usually luck and skill. Realistically speaking, canon Ichigo should not have had any appreciable trouble fighting Zaraki, at the level the maniac was fighting to begin with, but Ichigo lacked any will to fight. All of his skill and determination always seem to be tied into his desire to protect his friends. Zaraki, who was more of an obstacle than an obstruction, failed to bring forth Ichigo's fighting instinct until his life was endangered. The best way to think of this new hybrid as it seems to me is that he 'always' has the Hollow mask on, but then we wouldn't have to speculate if there was more detail.
@Thorn: Most of the points... yeah, they could use and benefit from and really ought to have more detail, but it's not a story breaker. This:
was only vaguely implied at best. Even if you're going to use the basis of canon to allow you to move things along, when something actually does change, you need to write it as the totally new event it supposedly is.
When you go through and reread your work, one thing you should try to do is to ask yourself is, "Just with the words written here, what questions do I have for the author/plot if I were a reader?" It'll likely take you some practice since you, theoretically, know where it's all going and don't actually have questions, but if you can manage that your detail work will improve. What questions would you ask in a review (assuming you're that type)? What would what you've written make you think was going to happen? What scenes does it make you envision? What do you look forward to seeing happen, based on the clues the writer's given? Things like that. Detail Thorn, ever detail.
I misread the original sentence, since it was clear enough for me to figure out what he meant. That sentence is awkward now that I read it properly, and could eaisly be fixed with more detail. (As an aside, I do professional [freelance] typing and something like that I tend to read over, recognize what was meant rather than said, and type things coherently so the inspecificness didn't even register. My bad.)
As far as I can recall, we've seen Yoruichi transform all of once. At/in a hotspring. It wouldn't surprise me to discover she could control her clothing showing up or not, regardless, that's a minor point to argue...that wouldn't even need thought if there'd been just a little bit more detail (I'm being an ass on purpose now, please note the difference).
@mindpron: Points, all. However, personally, I generally prefer a writer actually gets somewhere rather than telling us everything that's going on in painstaking detail. I like detail, but I'd rather know what happens next more often than not. Also, a lot of people are really bad at writing details because they fail to maintain tenses, action, flow etc. I totally understand where you're coming from, but I only agree about two-thirds of the time, I think. I've not given the matter a lot of thought, so maybe I agree more. Or possibly less. :huh.:
@zeebee1: In a conflict between two parties of equal power, the deciding factors are usually luck and skill. Realistically speaking, canon Ichigo should not have had any appreciable trouble fighting Zaraki, at the level the maniac was fighting to begin with, but Ichigo lacked any will to fight. All of his skill and determination always seem to be tied into his desire to protect his friends. Zaraki, who was more of an obstacle than an obstruction, failed to bring forth Ichigo's fighting instinct until his life was endangered. The best way to think of this new hybrid as it seems to me is that he 'always' has the Hollow mask on, but then we wouldn't have to speculate if there was more detail.
@Thorn: Most of the points... yeah, they could use and benefit from and really ought to have more detail, but it's not a story breaker. This:
Also, it was mentioned that his hollow isn't showing that much beside language. Let me explain.
Right now, Ichigo is among friends, whom he is still very protective of. About Yoruichi, I thought I had written clear enough that while he was training with her that he was making innuendo's the whole time.
Right now, Ichigo is among friends, whom he is still very protective of. About Yoruichi, I thought I had written clear enough that while he was training with her that he was making innuendo's the whole time.
When you go through and reread your work, one thing you should try to do is to ask yourself is, "Just with the words written here, what questions do I have for the author/plot if I were a reader?" It'll likely take you some practice since you, theoretically, know where it's all going and don't actually have questions, but if you can manage that your detail work will improve. What questions would you ask in a review (assuming you're that type)? What would what you've written make you think was going to happen? What scenes does it make you envision? What do you look forward to seeing happen, based on the clues the writer's given? Things like that. Detail Thorn, ever detail.